NameCindy Stevens
Phone7039653200
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Name of WorkCindy Stevens
Please upload a JPG of your COMPLETED work.Please upload a JPG of your COMPLETED work.
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Describe the completed work, including media, size and presentation format. (All art forms are accepted for this call, but there must be a physical representation of the work ready for display. Most often this is a framed and ready-to-hang two dimensional image.)

“Suspended Motion” is a freestanding sculpture created in cement clay with mineral patinas over a galvanized steel armature. The piece measures 24″x24″x36″ and is weatherproof for indoor or outdoor display. The work depicts a frog reaching out to a dragonfly, capturing a moment of anticipation and connection. While it may be displayed on the floor, it is best presented on a low pedestal which is a minimum of 24″ square for optimal viewing.

Please reflect on how your contemplative practice informed or helped shape the work.

In my mind, I move slowly through the world. I stop to smell the flowers. When I see a fallen leaf, I pick it up – turning it over to study all the details that make it beautiful. I find joy in the smallest things, and observing the frogs in my backyard has become one of those quiet pleasures. Now there are tadpoles swimming and growing, and watching them fills me with wonder. When I create a sculpture, I enter that same state of attention—studying the nuance of shape, form, and texture, all the elements that make each subject unique. This deep exploration feeds my soul and sustains my creative energy.

Please reflect on how your deeper exploration of nature informed or helped shape the work.

I’m a deep observer of the natural world, and that sense of attention shapes all of my work. Annie Dillard’s writings resonated with me for that reason. In the piece I created for this show, I wanted to suspend a moment in time and make it impossible to miss. Inspired by the green frogs in the pond near my home, I spent time simply watching them – their stillness, their sudden leaps, and their gentle presence. As a child, I spent hours playing outside, delighted by what I discovered in nature. I hope this piece evokes that sense of playfulness and simple wonder in those who see it.

Please reflect on how your engagement with the text of PILGRIM AT TINKER CREEK informed or helped shape the work.

Annie Dillard’s way of seeing the world resonates easily with me. Her writing was a welcome reminder to slow down and find inspiration in my own backyard, where I’m fortunate to be surrounded by a world teeming with life. Frogs, turtles, birds, dragonflies, and so many others pass through—each providing endless joy and inspiration for my work.

What questions has this work prompted you to explore next?

This work has given me a heightened awareness and deeper appreciation for all the creatures that pass through my wooded backyard. I’m inspired to continue this observation through a series of sculptures directly based on this theme.

What did you learn in the process?

Throughout this process, I was reminded how much I love exploring different materials and discovering their capabilities. I enjoy pushing myself to learn and grow with each piece I create. It’s deeply satisfying to transform something ordinary or common into something graceful and extraordinary.

This is an original work and I have identified all technology used in the creation of this work in the description of my process above. My typed name stands for my signature.Cindy Stevens